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quarta-feira, 24 de setembro de 2014

So far Vastari has established successful connections running until 2020 for exhibition loans between Netherlands and Brazil,

Curators registered on Vastari can now obtain access to almost one million pieces of art from around the world held by a wide variety ofcollectors. Likewise, collectors can connect with over 250 museumprofessionals including five of the top ten museums globally.

So far Vastari has established successful connections running until 2020 for exhibition loans between Netherlands and Brazil, Poland and the UK,
China and Italy with the USA to name but a few. 

These successful connections have been the basis for the development of
a new platform called Vastari Travelling Exhibition Network or VTEN.


More Information: http://artdaily.com/news/73037/VTEN--Vastari-launches-travelling-exhibition-network-that-connects-curators-and-collectors#.VCL2FVes-_I[/url]
Copyright © artdaily.org


fonte: @edisonmariotti #edisonmariotti http://artdaily.com/news/73037/VTEN--Vastari-launches-travelling-exhibition-network-that-connects-curators-and-collectors#.VCL2FVes-_I
....Curators registered on Vastari can now obtain access to almost one million pieces of art from around the world held by a wide variety of collectors. Likewise, collectors can connect with over 250 museum professionals including five of the top ten museums globally. So far Vastari has established successful connections running until 2020 for exhibition loans between Netherlands and Brazil, Poland and the UK, China and Italy with the USA to name but a few. These successful connections have been the basis for the development of a new platform called Vastari Travelling Exhibition Network or VTEN.

More Information: http://artdaily.com/news/73037/VTEN--Vastari-launches-travelling-exhibition-network-that-connects-curators-and-collectors#.VCL2FVes-_I[/url]
Copyright © artdaily.org
LONDON.- Only four months after their pitch wooed investors at the Microsoft Ventures demo day, Vastari continues to impress both the art and tech world with their success, having created an online exhibition connection platform to facilitate the interaction between private collectors and museum curators for the temporary exhibition of leading works of art. Curators registered on Vastari can now obtain access to almost one million pieces of art from around the world held by a wide variety of collectors. Likewise, collectors can connect with over 250 museum professionals including five of the top ten museums globally. So far Vastari has established successful connections running until 2020 for exhibition loans between Netherlands and Brazil, Poland and the UK, China and Italy with the USA to name but a few. These successful connections have been the basis for the development of a new platform called Vastari Travelling Exhibition Network or VTEN. “As we built our relationship with museums, we found out that many times due to budget constraints and a lack of resources, museums are unable to curate their own exhibitions and instead look for ‘ready-made’ exhibitions for their venues” says Bernadine Brocker, CEO of Vastari. “We quickly came to realise that there was a real need globally for institutions to share their exhibitions with each other in a timely and efficient format”. Vastari also discovered that there is a high demand from collectors to present their whole collections as an exhibition rather than on a piece-by-piece basis. As a result VTEN will allow collectors to showcase their collections as a whole and pose them to museum curators as an exhibition. After six months of research, Vastari is ready to present the first version of VTEN at the ICEE conference in Helsinki this month and at the Museumvereniging Conference in The Netherlands in October. Although Vastari will officially launch the platform in early 2015, it has already signed up several leading institutions as subscribers to the system who are eager to begin using it. Charles A. Shepard III, executive director of the Fort Wayne Museum of Art in Indiana notes, “Vastari’s introduction of TEN, which facilitates the exchange of travelling exhibitions, empowers an exponentially higher degree of institutional connectivity than that of any museum attempting to secure or share exhibitions on their own. No curator’s rolodex can begin to compete with the resources offered by TEN”. Those interested in VTEN who would like to be involved in its first version before its official launch in 2015, should visit ten.vastari.com. Collectors who believe their collection could be exhibited as a whole exhibition should register on Vastari.com and contact their personal advisor from the Vastari team.

More Information: http://artdaily.com/news/73037/VTEN--Vastari-launches-travelling-exhibition-network-that-connects-curators-and-collectors#.VCL2FVes-_I[/url]
Copyright © artdaily.org
LONDON.- Only four months after their pitch wooed investors at the Microsoft Ventures demo day, Vastari continues to impress both the art and tech world with their success, having created an online exhibition connection platform to facilitate the interaction between private collectors and museum curators for the temporary exhibition of leading works of art. Curators registered on Vastari can now obtain access to almost one million pieces of art from around the world held by a wide variety of collectors. Likewise, collectors can connect with over 250 museum professionals including five of the top ten museums globally. So far Vastari has established successful connections running until 2020 for exhibition loans between Netherlands and Brazil, Poland and the UK, China and Italy with the USA to name but a few. These successful connections have been the basis for the development of a new platform called Vastari Travelling Exhibition Network or VTEN. “As we built our relationship with museums, we found out that many times due to budget constraints and a lack of resources, museums are unable to curate their own exhibitions and instead look for ‘ready-made’ exhibitions for their venues” says Bernadine Brocker, CEO of Vastari. “We quickly came to realise that there was a real need globally for institutions to share their exhibitions with each other in a timely and efficient format”. Vastari also discovered that there is a high demand from collectors to present their whole collections as an exhibition rather than on a piece-by-piece basis. As a result VTEN will allow collectors to showcase their collections as a whole and pose them to museum curators as an exhibition. After six months of research, Vastari is ready to present the first version of VTEN at the ICEE conference in Helsinki this month and at the Museumvereniging Conference in The Netherlands in October. Although Vastari will officially launch the platform in early 2015, it has already signed up several leading institutions as subscribers to the system who are eager to begin using it. Charles A. Shepard III, executive director of the Fort Wayne Museum of Art in Indiana notes, “Vastari’s introduction of TEN, which facilitates the exchange of travelling exhibitions, empowers an exponentially higher degree of institutional connectivity than that of any museum attempting to secure or share exhibitions on their own. No curator’s rolodex can begin to compete with the resources offered by TEN”. Those interested in VTEN who would like to be involved in its first version before its official launch in 2015, should visit ten.vastari.com. Collectors who believe their collection could be exhibited as a whole exhibition should register on Vastari.com and contact their personal advisor from the Vastari team.

More Information: http://artdaily.com/news/73037/VTEN--Vastari-launches-travelling-exhibition-network-that-connects-curators-and-collectors#.VCL2FVes-_I[/url]
Copyright © artdaily.org
VTEN: Vastari launches travelling exhibition network for international museum collaboration Curators registered on Vastari can now obtain access to almost one million pieces of art from around the world held by a wide variety of collectors. Share on facebook Share on twitter Share on email Share on print Share on gmail More Sharing Services 24 LONDON.- Only four months after their pitch wooed investors at the Microsoft Ventures demo day, Vastari continues to impress both the art and tech world with their success, having created an online exhibition connection platform to facilitate the interaction between private collectors and museum curators for the temporary exhibition of leading works of art. Curators registered on Vastari can now obtain access to almost one million pieces of art from around the world held by a wide variety of collectors. Likewise, collectors can connect with over 250 museum professionals including five of the top ten museums globally. So far Vastari has established successful connections running until 2020 for exhibition loans between Netherlands and Brazil, Poland and the UK, China and Italy with the USA to name but a few. These successful connections have been the basis for the development of a new platform called Vastari Travelling Exhibition Network or VTEN. “As we built our relationship with museums, we found out that many times due to budget constraints and a lack of resources, museums are unable to curate their own exhibitions and instead look for ‘ready-made’ exhibitions for their venues” says Bernadine Brocker, CEO of Vastari. “We quickly came to realise that there was a real need globally for institutions to share their exhibitions with each other in a timely and efficient format”. Vastari also discovered that there is a high demand from collectors to present their whole collections as an exhibition rather than on a piece-by-piece basis. As a result VTEN will allow collectors to showcase their collections as a whole and pose them to museum curators as an exhibition. After six months of research, Vastari is ready to present the first version of VTEN at the ICEE conference in Helsinki this month and at the Museumvereniging Conference in The Netherlands in October. Although Vastari will officially launch the platform in early 2015, it has already signed up several leading institutions as subscribers to the system who are eager to begin using it. Charles A. Shepard III, executive director of the Fort Wayne Museum of Art in Indiana notes, “Vastari’s introduction of TEN, which facilitates the exchange of travelling exhibitions, empowers an exponentially higher degree of institutional connectivity than that of any museum attempting to secure or share exhibitions on their own. No curator’s rolodex can begin to compete with the resources offered by TEN”. Those interested in VTEN who would like to be involved in its first version before its official launch in 2015, should visit ten.vastari.com. Collectors who believe their collection could be exhibited as a whole exhibition should register on Vastari.com and contact their personal advisor from the Vastari team.

More Information: http://artdaily.com/news/73037/VTEN--Vastari-launches-travelling-exhibition-network-that-connects-curators-and-collectors#.VCL2FVes-_I[/url]
Copyright © artdaily.org
VTEN: Vastari launches travelling exhibition network for international museum collaboration Curators registered on Vastari can now obtain access to almost one million pieces of art from around the world held by a wide variety of collectors. Share on facebook Share on twitter Share on email Share on print Share on gmail More Sharing Services 24 LONDON.- Only four months after their pitch wooed investors at the Microsoft Ventures demo day, Vastari continues to impress both the art and tech world with their success, having created an online exhibition connection platform to facilitate the interaction between private collectors and museum curators for the temporary exhibition of leading works of art. Curators registered on Vastari can now obtain access to almost one million pieces of art from around the world held by a wide variety of collectors. Likewise, collectors can connect with over 250 museum professionals including five of the top ten museums globally. So far Vastari has established successful connections running until 2020 for exhibition loans between Netherlands and Brazil, Poland and the UK, China and Italy with the USA to name but a few. These successful connections have been the basis for the development of a new platform called Vastari Travelling Exhibition Network or VTEN. “As we built our relationship with museums, we found out that many times due to budget constraints and a lack of resources, museums are unable to curate their own exhibitions and instead look for ‘ready-made’ exhibitions for their venues” says Bernadine Brocker, CEO of Vastari. “We quickly came to realise that there was a real need globally for institutions to share their exhibitions with each other in a timely and efficient format”. Vastari also discovered that there is a high demand from collectors to present their whole collections as an exhibition rather than on a piece-by-piece basis. As a result VTEN will allow collectors to showcase their collections as a whole and pose them to museum curators as an exhibition. After six months of research, Vastari is ready to present the first version of VTEN at the ICEE conference in Helsinki this month and at the Museumvereniging Conference in The Netherlands in October. Although Vastari will officially launch the platform in early 2015, it has already signed up several leading institutions as subscribers to the system who are eager to begin using it. Charles A. Shepard III, executive director of the Fort Wayne Museum of Art in Indiana notes, “Vastari’s introduction of TEN, which facilitates the exchange of travelling exhibitions, empowers an exponentially higher degree of institutional connectivity than that of any museum attempting to secure or share exhibitions on their own. No curator’s rolodex can begin to compete with the resources offered by TEN”. Those interested in VTEN who would like to be involved in its first version before its official launch in 2015, should visit ten.vastari.com. Collectors who believe their collection could be exhibited as a whole exhibition should register on Vastari.com and contact their personal advisor from the Vastari team.

More Information: http://artdaily.com/news/73037/VTEN--Vastari-launches-travelling-exhibition-network-that-connects-curators-and-collectors#.VCL2FVes-_I[/url]
Copyright © artdaily.org

Scientists discover that humans and Neanderthals overlapped for 'much longer than we thought'

Archaeologists in Willendorf, Austria made some surprising discoveries on a recent excavation. They found artifacts that modern humans created 43,500 years ago, making them the oldest known modern human artifacts in Europe — and proving that Neanderthals and modern humans coexisted for longer than scientists previously thought.




iStock


The study, published this week in the Proceedings of the National Academy of Sciences, was led by Dr. Philip Nigst of the University of Cambridge. Dr. Nigst, who oversaw archaeologists from a number of countries on the dig, said in a statement that the excavated tools come from the Aurignacian culture, which is "generally accepted as indicative of modern human presence" in Europe.

"The recent finds indicate a modern human presence and the date of the artifacts represents the oldest well-documented occurrence of modern humans in Europe," Dr. Nigst said in the statement. "The Willendorf finds strongly suggest that modern humans and Neanderthals met and interacted, and may well have exchanged both mates and ideas... The timing of these events cannot be a coincidence." - - Meghan DeMaria

Criador da capa de Sgt. Pepper’s dos Beatles terá obras expostas em SP

Você é um Beatlemaníaco? Então vai amar a nossa novidade cult! O artista pop britânico Peter Blake, responsável pela criação da famosa capa do CD Sgt. Pepper’s Lonely Hearts Club Band, dos Beatles, terá algumas de suas obras expostas na mostra Fragmentos, em galeria de arte de São Paulo.


IGGY AZALEA BATE RECORDE E SE IGUALA AOS BEATLES

A exposição busca refletir sobre a maneira como vários artistas contemporâneos se utilizam de recursos do cotidiano, da própria história da arte ou de outros registros da produção cultural para criar suas próprias obras.

Além de Peter, que representa a pop art britânica, outros artistas da terra da rainha como Victor Burgin, Siobhán Hapaska, Elisabeth Magill, Gillian Wearing e Gavin Turk, que fazem parte da geração Young British Artistas, também farão parte da mostra. Representando o Brasil, temos Nino Cais e Leda Catunda, essa última que terá as obras Lovers e Rio exibidas na galeria.

MIS PREPARA EXPOSIÇÃO DE TIM BURTON COM PRESENÇA DO DIRETOR

Ao todo serão 18 obras que ficarão expostas de 3 de outubro a 28 de novembro na ArtEEdições Galeria, que fica no bairro Jardim América, em São Paulo.

fonte: @edisonmariotti #edisonmariotti http://br.eonline.com/2014/criador-da-capa-de-sgt-pepper-s-dos-beatles-tera-obras-expostas-em-sp/

La Exposición Estética - en CREACIÓN, MUSEOGRAFÍA, MUSEOLOGÍA. ·


“Todo posee belleza, pero no todo el mundo la ve”. Confucio

 
The Field Museum and Library

Si ayer hablábamos de la Exposición Romántica dentro del grupo de exposiciones emocionales, hoy vamos a explicar qué es la Exposición Estética, la segunda de las dos emocionales. El doctor Pott, antiguo director del Museo Nacional de Etnología de Leiden de Holanda, decía que el enfoque de lo estético: “requiere una presentación muy cuidada que utilizando un marco tranquilo y neutral para hacer justicia a un limitado número de objetos de valor artístico, dispuestos en la forma más efectiva posible”. Nosotros añadimos, que las manifestaciones de buen gusto no se identifican actualmente solo en contenidos de valor artístico, los objetos históricos y los paleontológicos, por mencionar dos grupos de elementos expuestos en los museos que nada tiene que ver con el arte, ofrecen una estética muy particular para cada uno de nosotros, visitantes de los museos. Decir que lo del “marco tranquilo y neutral”, como requisito de la exposición estética, nos parece discutible. Pero, durante años, ese marco ha sido y aun es un enfoque estético muy importante en numerosos museos del mundo que adolecen de cierta inmovilidad, apelando a su entorno privilegiado y punto. Sobre todo en lo relacionado con museos de arte, evidentemente.

 
Exposición: Castillo del Rey (Lleida, España) – La Leda – La Petita Dimensió + Territori 24

En cualquier caso, podemos definir la palabra “estética” como algo que tiene que ver con nuestra personal percepción de la belleza. Es una palabra que utilizamos frecuentemente aplicada a lo que se percibe de forma visual, y que nos resulta especialmente grato emocionalmente. Podríamos aplicarlo a cualquier forma de percepción sensorial – un aria de ópera seguro que es bella, lo mismo que un sabor o un aroma -. Pero no vamos a abrir un debate sobre lo que es belleza y lo que no lo es, porque acabaría siendo un debate inagotable. Es cierto que podemos asegurar que hay objetos que tiene el valor de la estética global, es decir, que la mayoría de las personas, no importando su origen, raza, cultura o condición, los reconocen como “bellos”. Se trataría entonces de la idea de estética que podríamos denominar “formas de belleza universal”.

 
Exposición: Adel in Bayern – Ritter, Grafen, Industriebarone

El acuerdo sobre lo qué es o no es bello desde el punto de vista de esa “forma universal de belleza” – para una exposición debe ser al mismo tiempo una manifestación universal del conocimiento -, tiene su origen histórico en aquellos criterios acordados y aceptados por un grupo cerrado de personas, transformando la belleza en una norma. En cierto modo, la dirección del museo o el mismo museólogo puede jugar ese papel, ya que es quien selecciona objetos sin apelar necesariamente a futuras razones estéticas sino de contenido, siendo el museógrafo quien puede o debe apoyarse en la percepción de la belleza para sustentar la presentación de esos objetos, siempre que se justifique – en el diseño de una exposición sobre la Inquisición digamos que esa forma de belleza no se justifica, salvo para los góticos o gores, y no para el resto del mundo -. Y la justificación no es otra, en el caso de las exposiciones estéticas, que la de reforzar la comprensión y percepción del contenido del museo apelando al deleite de los sentidos provocando emociones positivas, ¿porqué no? Desde el punto de vista del diseño museográfico, la exposición estética, mostrará un contenido con especial sensibilidad, de forma que sus potenciales cualidades estéticas puedan ayudar a entender y apreciar esa información. Un entorno arquitectónico o entorno con estética agradable o bella directamente, ayuda y mucho. Se trata de generar emociones a través de la belleza. Para resumir y no liar más la madeja, comentar que hay tres puntos que resumen lo que es una exposición estética, que son los siguientes:

1. El objetivo de la exposición estética es que el visitante a entienda y valore el contenido apoyándonos en la percepción de la belleza universal.

2. Para alcanzar este objetivo es fundamental tener en cuenta que lo importante es el contenido, pero diseñando y construyendo los soportes del contenido reforzando sus cualidades estéticas.

3. El diseño de la exposición, su museografía, debe ser compatible con el entorno arquitectónico y/o paisajístico creando armonía.

Si estos tres puntos se cumplen en el diseño y construcción de la exposición, estamos planteando una exposición estética.


  fonte: @edisonmariotti #edisonmariotti  · 

O Museu Britânico quer atingir um público infantil de uma forma inusitada: sendo recriado em Minecraft.


Museu Britânico propõe versão em Minecraft


Os responsáveis pelo museu convocaram a comunidade e estão atrás de voluntários que usem o game independente – recém comprado pela Microsoft por US$ 2,5 bilhões – para recriar instalações e tentar ganhar atenção dos mais jovens, conforme noticiou o site TechRadar.

A iniciativa ainda está em seu estágio inicial e ainda não tem data para ser lançada.
 
fonte: @edisonmariotti #edisonmariotti https://br.noticias.yahoo.com/museu-brit%C3%A2nico-prop%C3%B5e-vers%C3%A3o-minecraft-151443273.html

 

Museu Guggenheim disponibiliza mais de 100 livros de arte online (e de graça) 2

O museu Guggenheim de arte moderna, em Nova York, disponibiliza 109 livros de arte de forma gratuita em seu site. Publicados entre 1937 e 1999, os volumes trazem análises e imagens dos trabalhos de artistas como Edvard Munch, Francis Bacon, Gustav Klimt, Fernand Léger e Kandinsky.

Se você também está interessado na história do próprio Guggenheim, talvez valha a pena conferir os cinco volumes escritos por Hilla Rebay, primeira diretora e curadora do museu.

Para explorar o catálogo, basta entrar neste link,  selecionar um item da coleção e clicar na opção “Read Catalogue Online”. Uma nova janela irá abrir, como um pop-up, e disponibilizará controles em baixo da página.

Se você tiver problemas em navegar por esse sistema, versões alternativas do Archive.org


Via Open Culture - fonte: @edisonmariotti @edisonmariotti http://revistagalileu.globo.com/blogs/estante-galileu/noticia/2014/09/museu-guggenheim-disponibiliza-mais-de-100-livros-de-arte-online-e-de-graca.html