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sábado, 17 de outubro de 2015

The National Art Museum of the Republic of Belarus (the State Art Gallery from 1939 till 1957, the State Art Museum from 1957 till 1993) – the largest collection of the Belarusian and foreign art within the country – is located in the centre of Minsk, at Lenin Street, 20.

More than twenty seven thousand works of art – creating twenty miscellaneous collections and comprising two main representative ones: the one of national art and the other of monuments of art of the countries and nations of the world – can be found on exposition, at the branches of the Museum and its depositories.



The Museum’s official history begins on January, 24 in 1939 when under the Resolution of the Council of People’s Commissars of the BSSR the State Art Gallery has been created in Minsk. It was located in the fifteen halls of the Highest Communist Agricultural School’s edifice.


The pre-war period of the Gallery’s operation under the direction of Nikolay Mikholap (1886–1979) – a well-known Belarusian painter-ceramist – was the time of an intensive creation of art collections.

After the reunification of the West Belarusian lands with the BSSR in September 1939 the works of art from the nationalized homesteads and castles of the Western Belarus, including part of the collection of the Radziwill princes’ Palace in Nesvizh, were brought to the Art Gallery. Thus the Museum came into possession of a rich collection of Slutsk sashes, the 18thcentury French tapestry and the portrait painting of the 16th – 19th centuries.


The first German units, being the robbers, only slightly bossed the Gallery. Then two very important persons arrived in Minsk – Hans Posse and Cajetan Müllmann. Hans Posse was the Director of the Dresden Gallery and a special representative on the creation of Hitler’s Personal Museum at his native land – in Linz. Cajetan Müllmann was a special representative on the registration of the cultural and art values in the Eastern Territories. In the city there were also representatives of the “Heritage” society, with Himmler at its head. The people – who wanted to seize the collections of Minsk – abounded there, and there was too a strong rivalry among them. According to the documents, the best items of the applied art and pictures were impounded by Hans Posse; valuable collections were sent to the Reich and Königsberg. By September 1941, the collection of the Art Gallery had been almost fully scattered. In the meantime the Gauleiter of Weiss Russland (“Weissrutenia” – at those times Belarus was called like that) Wilhelm Kube complains to Alfred Rosenberg that Minsk has lost millions of art values: “valuable canvases, the furniture of the 18th – 19th centuries, vases, marbles, watches and etc. were given to the Wehrmacht by the “SS” to be plundered”. Many works were taken out of the country in an unknown direction; something remained at the German organizations in Minsk.

The collection of the Art Gallery ceased to exist, and its loss can be called irretrievable. The fate of the pre-war collection of the State Art Gallery has hitherto been unknown. Its search is being complicated by the absence of the inventory – a catalogue of the museum pieces of the pre-war period. In 1944 “The Museum Values Inventory”, taken away by the Hitlerites to Germany and to the countries-accomplices and destructed as a result of their bandit actions” was made by the Museum’s personnel from memory. On the inventory of the Museum there are 223 art works of Russian painting, 32 ones of West-European, the furniture from the “Blue Bedroom” of Alexander II at the Winter Palace, 60 icons of the 16th – 18th centuries, 89 sculptures, 48 Slutsk sashes, 480 articles of Russian porcelain, 800 ones of West-European porcelain, 30 articles of antique Urechye glass, 200 handmade woolen bedspreads (“postilki”) made by Belarusian weavers, hundreds of art works of the Belarusian artists of the late 19th – early 20th centuries.




fonte: @edisonmariotti #edisonmariotti

http://www.artmuseum.by/eng/koll/vostisk

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