Budapest's Ludwig Museum.
The museum of contemporary art makes it onto the list of the 100 most significant art institutions in the world.
According to ludwigmuseum.blog.hu, the Budapest-based gallery has made it onto the coveted ArtFacts database, making it the first Eastern European museum of contemporary art to appear on the list compiled at artfacts.net.
According to the blog, Ludwig is both the only Hungarian institute and the only representative of the Eastern European region in the top 100.
Situated on the banks of the river Danube, Ludwig is mentioned in the same breath as the Albertina in Vienna, the Centre Pompidou in Paris, Tate Modern in London and the Museum of Modern Art in New York.
The German couple, Irene and Peter Ludwig, who were the founders of the Ludwig Museum – Museum of Contemporary Art, Budapest, had a collection of more than 12 thousand works of art, range from antiquities to contemporary art. The pieces they have donated or lent are on display at 30 museums worldwide, including institutions in Budapest, Cologne, Vienna and Beijing.
The History of the Ludwig Museum - Museum of Contemporary Art
1982
Irene and Peter Ludwig establish the Ludwig Foundation for Arts and International Understanding.
1983
An exhibition called Universal art since 1960 comes to the Kunsthalle Budapest (Műcsarnok) from the Museum of Modern Arts in Vienna. Seeing the success of the exhibition in Hungary, and because they cannot accept that politically-divided Europe should also be culturally divided, Irene and Peter Ludwig start talks on setting up a museum of contemporary art in Budapest.
1987
The Hungarian National Gallery presents 70 works selected from the Aachen Ludwig Collection. This extendable compilation constitutes the core of what is later to become the Ludwig Museum – Museum of Contemporary Art.
1989
The Ludwig Foundation donates 70 art works to the state of Hungary to establish the collection of the Ludwig Museum – Museum of Contemporary Art in Hungary. For the present, the collection is managed by the National Gallery.
1991
On the first floor of Building A of the Hungarian National Gallery, the Ludwig Foundation puts 91 works on long-term deposit. The opening of its first autonomous exhibition marks the debut of the Ludwig Museum Budapest, the first institution in Hungary concerned with international contemporary art.
1992
The Board of the Foundation appoints Katalin Néray to head the Museum.
The Ludwig Museum was lead through all its re-organisations and a period of success by director Katalin Néray, art historian and museologist, between 1993 and her death in 2007. Enjoying a widespread international reputation, Ms. Néray, a distinguished expert of contemporary art, played a fundamental role in creating and building up the collection, as well as in working out the museum conception. Her outstanding work and activities were recognised with several prestigious awards and prizes: Munkácsy-prize (1988), Magyar Köztársasági Érdemrend Tisztikeresztje (Officer’s Cross of the Order of Merit of the Republic of Hungary) (1998), Martyn Klára-prize (1999), Széchenyi-prize (2005).
1993
The Ministry of Culture and Education issues the Ludwig Museum’s operating license. Its scope of collection is general and Hungarian contemporary art, in line with the contents of the Ludwig Collection. The permanent exhibition is reorganised and the first temporary exhibition opens: Yoko Ono – Endangered Species, followed by others in the same year, including Pablo Picasso. The Museum appoints its first staff member, Krisztina Szipőcs.
1995
The Ludwig Museum Budapest is an independent specialist museum of the Hungarian National Gallery.
1996
Following the sudden death of her husband, Irene Ludwig is instrumental in setting up the Peter and Irene Ludwig Foundation.
Rearranged on the three floors of the A wing of the Hungarian National Gallery and extended with major works of Hungarian art, the Museum of Contemporary Art – Ludwig Museum Budapest is opened by the Ministry of Culture and Education as a government-funded body. The new museum, given the prevailing realities, set up in an existing space rather than a new, purpose-built facility.
The deed of foundation states that as a specialist museum of national scope, the Museum collects post-1945 general and Hungarian art. Its areas of activity are: collection, research, organisation of permanent and temporary exhibitions, public relations, presentation of affiliated arts, and operation of an art library. Its mission is to integrate the products of contemporary foreign and Hungarian art into Hungarian intellectual life.
The Ludwig Foundation deposit contract is renewed.
2000
The Ludwig Foundation deposit contract is extended for five years, starting (retrospectively) in 1998.
2003
Decision to move from the Buda Palace to the Müpa Budapest (earlier: Palace of the Arts).
2005
The Museum moves into the wing of the Müpa Budapest (earlier: Palace of the Arts) facing the Danube, with 3300 m2 of exhibition space.
A new deed of foundation is drawn up, giving the Museum a new name.
The Ludwig Museum – Museum of Contemporary Art is a central government-funded body under the authority of the Treasury, with financial independence and full rights. Its supervisory body is the Ministry of the National Cultural Heritage.
The museum of contemporary art makes it onto the list of the 100 most significant art institutions in the world.
According to ludwigmuseum.blog.hu, the Budapest-based gallery has made it onto the coveted ArtFacts database, making it the first Eastern European museum of contemporary art to appear on the list compiled at artfacts.net.
According to the blog, Ludwig is both the only Hungarian institute and the only representative of the Eastern European region in the top 100.
Situated on the banks of the river Danube, Ludwig is mentioned in the same breath as the Albertina in Vienna, the Centre Pompidou in Paris, Tate Modern in London and the Museum of Modern Art in New York.
The German couple, Irene and Peter Ludwig, who were the founders of the Ludwig Museum – Museum of Contemporary Art, Budapest, had a collection of more than 12 thousand works of art, range from antiquities to contemporary art. The pieces they have donated or lent are on display at 30 museums worldwide, including institutions in Budapest, Cologne, Vienna and Beijing.
The History of the Ludwig Museum - Museum of Contemporary Art
1982
Irene and Peter Ludwig establish the Ludwig Foundation for Arts and International Understanding.
1983
An exhibition called Universal art since 1960 comes to the Kunsthalle Budapest (Műcsarnok) from the Museum of Modern Arts in Vienna. Seeing the success of the exhibition in Hungary, and because they cannot accept that politically-divided Europe should also be culturally divided, Irene and Peter Ludwig start talks on setting up a museum of contemporary art in Budapest.
1987
The Hungarian National Gallery presents 70 works selected from the Aachen Ludwig Collection. This extendable compilation constitutes the core of what is later to become the Ludwig Museum – Museum of Contemporary Art.
1989
The Ludwig Foundation donates 70 art works to the state of Hungary to establish the collection of the Ludwig Museum – Museum of Contemporary Art in Hungary. For the present, the collection is managed by the National Gallery.
1991
On the first floor of Building A of the Hungarian National Gallery, the Ludwig Foundation puts 91 works on long-term deposit. The opening of its first autonomous exhibition marks the debut of the Ludwig Museum Budapest, the first institution in Hungary concerned with international contemporary art.
1992
The Board of the Foundation appoints Katalin Néray to head the Museum.
The Ludwig Museum was lead through all its re-organisations and a period of success by director Katalin Néray, art historian and museologist, between 1993 and her death in 2007. Enjoying a widespread international reputation, Ms. Néray, a distinguished expert of contemporary art, played a fundamental role in creating and building up the collection, as well as in working out the museum conception. Her outstanding work and activities were recognised with several prestigious awards and prizes: Munkácsy-prize (1988), Magyar Köztársasági Érdemrend Tisztikeresztje (Officer’s Cross of the Order of Merit of the Republic of Hungary) (1998), Martyn Klára-prize (1999), Széchenyi-prize (2005).
1993
The Ministry of Culture and Education issues the Ludwig Museum’s operating license. Its scope of collection is general and Hungarian contemporary art, in line with the contents of the Ludwig Collection. The permanent exhibition is reorganised and the first temporary exhibition opens: Yoko Ono – Endangered Species, followed by others in the same year, including Pablo Picasso. The Museum appoints its first staff member, Krisztina Szipőcs.
1995
The Ludwig Museum Budapest is an independent specialist museum of the Hungarian National Gallery.
1996
Following the sudden death of her husband, Irene Ludwig is instrumental in setting up the Peter and Irene Ludwig Foundation.
Rearranged on the three floors of the A wing of the Hungarian National Gallery and extended with major works of Hungarian art, the Museum of Contemporary Art – Ludwig Museum Budapest is opened by the Ministry of Culture and Education as a government-funded body. The new museum, given the prevailing realities, set up in an existing space rather than a new, purpose-built facility.
The deed of foundation states that as a specialist museum of national scope, the Museum collects post-1945 general and Hungarian art. Its areas of activity are: collection, research, organisation of permanent and temporary exhibitions, public relations, presentation of affiliated arts, and operation of an art library. Its mission is to integrate the products of contemporary foreign and Hungarian art into Hungarian intellectual life.
The Ludwig Foundation deposit contract is renewed.
2000
The Ludwig Foundation deposit contract is extended for five years, starting (retrospectively) in 1998.
2003
Decision to move from the Buda Palace to the Müpa Budapest (earlier: Palace of the Arts).
2005
The Museum moves into the wing of the Müpa Budapest (earlier: Palace of the Arts) facing the Danube, with 3300 m2 of exhibition space.
A new deed of foundation is drawn up, giving the Museum a new name.
The Ludwig Museum – Museum of Contemporary Art is a central government-funded body under the authority of the Treasury, with financial independence and full rights. Its supervisory body is the Ministry of the National Cultural Heritage.
Its core activities are museum activity and protection of the cultural heritage.
Scope of collection: post-1960s general and Hungarian art, particularly in the new media (film, video, computer art, photography).
A priority function is to promote Hungarian art abroad.
It also incorporates a methodological centre and information base supporting the presentation and interpretation of contemporary art and its communication to the public. This involves academic research, specialist activities and education – the residency programme and docent programme. New functions, which enjoy particular priority, are museum education, curator training and museologist training.
2008
Between 1991 and 2007, the Museum puts on more than 200 temporary exhibitions.
HISTORY OF THE COLLECTION
“The principal initial reason behind the Ludwig museums was not to present the pictures of the Ludwig Collection, but for these pictures to serve as initial capital, an incentive for showing the work of other artists in these museums.”
(Peter Ludwig interview, 1996)
1950
Peter Ludwig writes a dissertation on Picasso’s image of man, and starts collecting his works. Later building up to 800 pieces, the collection is unique in the world, and 3 later works are brought to Budapest.
1966
Having previously been interested only in 18th century craft works, pre-Columbian ceramics and classical and medieval masterpieces, the Ludwigs open up to pop-art. Some of the collection’s most valuable and well-known works have come to Budapest: Andy Warhol Single Elvis, Robert Rauschenberg Hedge, Claes Oldenburg Lingerie Counter and Roy Lichtenstein Vicki, supplemented by notable European pop-art works.
1970–1990
The collection is built up by purchase of contemporary art works. The works placed on deposit and donated are principally expressive and figurative, a reflection of Peter Ludwig’s own taste. Constructivist, geometric, and conceptual works lie outside his sphere of interest.
Photorealism and hyperrealism (Chuck Close, Richard Estes, Malcolm Morley), patter painting (Robert Kushner), graffiti (Lady Pink / Jenny Holzer, A-One); German, Italian and French neo-expressionism (Georg Baselitz, A. R. Penck, Markus Lüpertz, Mimmo Paladino, Gérard Garouste, Christian Ludwig Attersee); the Russian 1980s (Leyderman, Nazarenko, Faybissovich, Gundlah, Yuri Albert); former East German social criticism (Volker Stelzman, Uwe Pfeifer), and iconic works by David Hockney, Richard Hamilton, Nancy Graves, Gerhard Richter, Jean Tinguely, Jasper Johns, Robert Longo, Rosemarie Trockel, Arnulf Rainer and Josef Beuys form the other, also authoritative, part of the Budapest collection besides pop-art.
A large part of the Ludwig Collection represents universal artistic standards, and are now unobtainable on the market.
1990–
Since the art works received from the Ludwig Foundation represent the pre-1990s era, works produced since then are purchased – often with the continuing financial support of the Ludwig Foundation – by decision of the Museum’s own Board. As a considered part of its mission, it presents and collects work by artists of the former “eastern bloc” (Jiří David, Roman Ondák, Zbignyev Libera, Zuzanna Janin, Teodor Graur, Dan Perjovsky) and sets alongside each other a broad range of definitive international and Hungarian works from particular eras.
In 1996, thirty large companies and private individuals purchased works which Hungarian artists were invited to enter into an improvised exhibition. Many Hungarian artists have donated their works to the Museum, and Galéria ’56 has also made significant donations (Keith Haring, Yoko Ono, Geoffrey Hendricks, Donald Sultan, George Condo, Ross Blechner).
fonte: @edisonmariotti #edisonmariotti
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Ludwig Museum de Budapeste.
O museu de arte contemporânea faz parte da lista das 100 instituições artísticas mais importantes do mundo.
De acordo com o ludwigmuseum.blog.hu, a galeria baseada em Budapeste conseguiu entrar no cobiçado banco de dados ArtFacts, tornando-se o primeiro museu de arte contemporânea da Europa Oriental a aparecer na lista compilada em artfacts.net.
De acordo com o blog, Ludwig é o único instituto húngaro e o único representante da região da Europa Oriental no top 100.
Situado às margens do rio Danúbio, Ludwig é mencionado ao mesmo tempo que o Albertina em Viena, o Centre Pompidou em Paris, o Tate Modern em Londres e o Museu de Arte Moderna de Nova York.
O casal alemão Irene e Peter Ludwig, que foram os fundadores do Museu Ludwig - Museu de Arte Contemporânea de Budapeste, tinha uma coleção de mais de 12 mil obras de arte, variando de antiguidades a arte contemporânea. As peças doadas ou emprestadas estão expostas em 30 museus em todo o mundo, incluindo instituições em Budapeste, Colônia, Viena e Pequim.
A História do Museu Ludwig - Museu de Arte Contemporânea
1982
Irene e Peter Ludwig criaram a Fundação Ludwig para Artes e Entendimento Internacional.
1983
Uma exposição chamada arte Universal desde 1960 chega ao Kunsthalle Budapest (Műcsarnok) do Museu de Arte Moderna de Viena. Vendo o sucesso da exposição na Hungria, e porque eles não podem aceitar que a Europa politicamente dividida também deva ser culturalmente dividida, Irene e Peter Ludwig iniciam conversações sobre a criação de um museu de arte contemporânea em Budapeste.
1987
A Galeria Nacional Húngara apresenta 70 obras selecionadas da Coleção Aachen Ludwig. Esta compilação extensível constitui o núcleo do que mais tarde se tornará o Museu Ludwig - Museu de Arte Contemporânea.
1989
A Fundação Ludwig doa 70 obras de arte para o estado da Hungria para estabelecer a coleção do Museu Ludwig - Museu de Arte Contemporânea da Hungria. Por enquanto, a coleção é gerenciada pela National Gallery.
1991
No primeiro andar do Edifício A da Galeria Nacional Húngara, a Fundação Ludwig coloca 91 obras em depósito de longo prazo. A abertura de sua primeira exposição autônoma marca a estreia do Ludwig Museum Budapest, a primeira instituição na Hungria preocupada com a arte contemporânea internacional.
1992
O Conselho da Fundação nomeia Katalin Néray para dirigir o Museu.
O Museu Ludwig foi conduzido através de todas as suas re-organizações e um período de sucesso da diretora Katalin Néray, historiadora de arte e museologista, entre 1993 e sua morte em 2007. Desfrutando de uma reputação internacional generalizada, Néray, uma eminente especialista em arte contemporânea , desempenhou um papel fundamental na criação e construção da coleção, bem como na elaboração da concepção do museu. O seu trabalho e actividades notáveis foram reconhecidos com vários prémios e prémios de prestígio: Munkácsy-prize (1988), Magyar Köztársasági Érdemrend Tisztikeresztje (Cruz do oficial da Ordem do Mérito da República da Hungria) (1998), Martyn Klára-prêmio (1999) , Széchenyi-prêmio (2005).
1993
O Ministério da Cultura e Educação emite a licença de operação do Museu Ludwig. Seu escopo de coleção é arte contemporânea geral e húngara, em consonância com o conteúdo da Coleção Ludwig. A exposição permanente é reorganizada e a primeira exposição temporária é aberta: Yoko Ono - Espécies Ameaçadas, seguidas por outras no mesmo ano, incluindo Pablo Picasso. O Museu nomeia seu primeiro membro da equipe, Krisztina Szipőcs.
1995
O Ludwig Museum Budapest é um museu especializado independente da Galeria Nacional da Hungria.
1996
Após a morte súbita de seu marido, Irene Ludwig é fundamental na criação da Fundação Peter e Irene Ludwig.
Reorganizado nos três andares da ala A da Galeria Nacional Húngara e ampliado com grandes obras de arte húngara, o Museu de Arte Contemporânea - Ludwig Museum Budapest é aberto pelo Ministério da Cultura e Educação como um órgão financiado pelo governo. O novo museu, dadas as realidades predominantes, se instalou em um espaço existente, em vez de uma nova instalação construída para esse propósito.
A escritura da fundação afirma que, como um museu especializado de âmbito nacional, o Museu coleciona arte geral e húngara pós-1945. Suas áreas de atividade são: coleta, pesquisa, organização de exposições permanentes e temporárias, relações públicas, apresentação de artes afiliadas e operação de uma biblioteca de arte. Sua missão é integrar os produtos da arte contemporânea estrangeira e húngara à vida intelectual húngara.
O contrato de depósito da Fundação Ludwig é renovado.
2000
O contrato de depósito da Fundação Ludwig é prorrogado por cinco anos, iniciando (retrospectivamente) em 1998.
2003
Decisão de mudar do Palácio de Buda para o Müpá Budapeste (anteriormente: Palácio das Artes).
2005
O Museu move-se para a ala do Müpá Budapest (anteriormente: Palácio das Artes) de frente para o Danúbio, com 3300 m2 de área de exposição.
Um novo ato de fundação é elaborado, dando ao Museu um novo nome.
O Museu Ludwig - Museu de Arte Contemporânea é um órgão financiado pelo governo central, sob a autoridade do Tesouro, com independência financeira e plenos direitos. Seu órgão de fiscalização é o Ministério do Patrimônio Cultural Nacional.
O Museu move-se para a ala do Müpá Budapest (anteriormente: Palácio das Artes) de frente para o Danúbio, com 3300 m2 de área de exposição.
Um novo ato de fundação é elaborado, dando ao Museu um novo nome.
O Museu Ludwig - Museu de Arte Contemporânea é um órgão financiado pelo governo central, sob a autoridade do Tesouro, com independência financeira e plenos direitos. Seu órgão de fiscalização é o Ministério do Patrimônio Cultural Nacional.
Suas principais atividades são a atividade museológica e a proteção do patrimônio cultural.
Âmbito da colecção: arte geral e húngara pós-1960, particularmente nos novos media (cinema, vídeo, arte informática, fotografia).
Uma função prioritária é promover a arte húngara no exterior.
Também incorpora um centro metodológico e uma base de informações que apóiam a apresentação e interpretação da arte contemporânea e sua comunicação ao público. Isso envolve pesquisa acadêmica, atividades especializadas e educação - o programa de residência e o programa docente. As novas funções, que gozam de particular prioridade, são a educação em museus, o treinamento de curadores e a formação de museólogos.
2008
Entre 1991 e 2007, o Museu realiza mais de 200 exposições temporárias.
HISTÓRIA DA COLEÇÃO
“A principal razão inicial por trás dos museus de Ludwig não era apresentar as fotos da Coleção Ludwig, mas sim, essas imagens servirem como capital inicial, um incentivo para mostrar o trabalho de outros artistas nesses museus.”
(Entrevista de Peter Ludwig, 1996)
1950
Peter Ludwig escreve uma dissertação sobre a imagem de homem de Picasso e começa a colecionar seus trabalhos. Mais tarde, construindo até 800 peças, a coleção é única no mundo, e três obras posteriores são trazidas para Budapeste.
1966
Tendo sido previamente interessados apenas em obras de artesanato do século XVIII, cerâmicas pré-colombianas e obras-primas clássicas e medievais, os Ludwigs se abrem para a pop-art. Algumas das obras mais valiosas e conhecidas da coleção foram para Budapeste: Andy Warhol Single Elvis, Robert Rauschenberg Hedge, Claes Oldenburg Lingerie Counter e Roy Lichtenstein Vicki, complementados por notáveis obras de arte pop europeias.
1970–1990
A coleção é construída pela compra de obras de arte contemporânea. As obras depositadas e doadas são principalmente expressivas e figurativas, reflexo do próprio gosto de Peter Ludwig. Os trabalhos construtivistas, geométricos e conceituais estão fora de sua esfera de interesse.
Fotorrealismo e hiperrealismo (Chuck Close, Richard Estes, Malcolm Morley), pintura de padrões (Robert Kushner), grafite (Lady Pink / Jenny Holzer, A-One); Neo-expressionismo alemão, italiano e francês (Georg Baselitz, A. R. Penck, Markus Lüpertz, Mimmo Paladino, Gérard Garouste, Christian Ludwig Attersee); os anos 1980 russos (Leyderman, Nazarenko, Faybissovich, Gundlah, Yuri Albert); antiga crítica social da Alemanha Oriental (Volker Stelzman, Uwe Pfeifer) e obras icónicas de David Hockney, Richard Hamilton, Nancy Graves, Gerhard Richter, Jean Tinguely, Jasper Johns, Robert Longo, Rosemarie Trockel, Arnulf Rainer e Josef Beuys formam o outro, também autoritativo, parte da coleção de Budapeste além de pop-art.
Uma grande parte da Coleção Ludwig representa padrões artísticos universais, e agora são inatingíveis no mercado.
1990–
Como as obras de arte recebidas da Fundação Ludwig representam a era pré-1990, os trabalhos produzidos desde então são adquiridos - muitas vezes com o apoio financeiro contínuo da Fundação Ludwig - por decisão do próprio Conselho do Museu. Como parte de sua missão, apresenta e coleciona trabalhos de artistas do antigo “bloco oriental” (Jiří David, Roman Ondák, Zbignyev Libera, Zuzana Janin, Teodor Graur, Dan Perjovsky) e coloca ao lado um do outro uma ampla gama de obras definitivas internacionais e húngaras de eras particulares.
Em 1996, trinta grandes empresas e particulares compraram obras que artistas húngaros foram convidados a participar de uma exposição improvisada. Muitos artistas húngaros doaram suas obras para o Museu, e a Galéria ’56 também fez doações significativas (Keith Haring, Yoko Ono, Geoffrey Hendricks, Donald Sultan, George Condo e Ross Blechner).
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