The more traditional ones that leave the room. If the words 'nudity' and 'sex' make you shiver, then it is best not to step on the sidewalk of the Museum of Art of São Paulo, the Masp, starting October 19, when it opens the exhibition "Stories of Sexuality." The exhibition intends to discuss the theme from a broad notion of stories, whose meanings - multiple and diverse - encompass collective and personal reports, fictional and nonfiction, surpassing forms traditionally fixed by the history of art.
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Detail of the work 'Moema', by Victor Meirelles - 1866 || Credits: Disclosure
The exhibition "Queermuseu", set up at Santander Cultural in Porto Alegre, ended up being canceled after criticism from religious movements and the Brazilian Free Movement (MBL), which judged - and created a chain of criticism - that the exhibition made apology for pedophilia and zoophilia At Masp, the exhibition will encompass representations on sexuality from different periods, territories and supports, providing a new dialogue and developing an approach that challenges the boundaries and hierarchies between objects, their origins, categories and typologies.
There are more than 200 works and to give life to "Stories of Sexuality" it was necessary to review the collection of Masp and other Brazilian and international collections, including drawings, paintings, sculptures, films, videos and photographs, as well as documents and publications of the arts pre-Columbian, Asian, African, European and Latin American.
There will be three exhibition spaces: the video room, with an unpublished work by Mauricio Dias & Walter Riedweg, the gallery of the first basement, with the core Policies of the Body and Activism - with works by Jo Spence, General Idea, Pedro Lemebel and Mares del Apocalypse -, and the first floor, which will have the largest number of works, distributed in eight thematic nuclei: Naked Bodies, Totemisms, Religiosity, Gender Performativity, Sex Games, Sex Market, Languages and Voyeurism. In this part of the exhibition will be gathered names like Louise Bourgeois, Vania Toledo, Leonilson, Cildo Meirelles and Cícero Dias, just to name a few.
Creating openness and reflection about sexuality and gender was what motivated the Masp curatorial team, led by Adriano Pedrosa, to elaborate the show. Underscoring the importance of the program, Camila Bechelany, assistant curator of the institution, comments: "Sexuality and gender have always crossed art history. We needed to ask these questions for discussion. The nude is considered a classic style and was one of the first that came about. The naked body has always crossed not only the history of art, but of all mankind. "
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"I love to beat you," Dorothy Iannone - 1969-70 || Credits: Disclosure
The first floor, the most controversial address of the show, will start with the Corpos Nus nucleus, which highlights one of the most common objects of study and representation in art history: the naked human body. Female, feminine, masculine, masculine, trans, non-binary, queer, travestis, multiple sizes, beauties and patterns will be exposed. The idea is precisely to provoke reactions of repulsion and abjection, desire and enchantment. There will also be a section dedicated to the representation of the sexual organs and another that intends to highlight the use of language as an equally privileged way of convening art and performativity, with emphasis on semiotics: sign language and symbol communication, with interventions in media of communication and with different ways of expressing gender and sexuality.
In the fourth nucleus, gender issues will be presented as intentional acts, historically and socially constructed, capable of producing and reinforcing meanings. The next moment explores the sexual games and explains stories of sexuality and the existence of collective or intimate practices that cross times, materialities and spaces. The sixth exhibition space will be built from sex markets such as prostitution, pornography, sex shops, saunas and the products and services derived from these practices.
The core Religiosity starts from the idea that religious images are also socially negotiated as objects of sexual courtship: some incite desire and, at the same time, seek to contain and silence any excitement. And finally, artists, curators and the public become voyeurs: they observe acts of other bodies, located both in private and public places in works of Edgar Degas, Pablo Picasso and Alair Gomes, among others.
In the gallery below, Glamurama gives a preview of the works that will be exposed and should not go unnoticed ... Controversy in sight? Just follow the arrow! (By Matheus Evangelista)
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picture 1
The exhibition "Queermuseu", set up at Santander Cultural in Porto Alegre, ended up being canceled after criticism from religious movements and the Brazilian Free Movement (MBL), which judged - and created a chain of criticism - that the exhibition made apology for pedophilia and zoophilia At Masp, the exhibition will encompass representations on sexuality from different periods, territories and supports, providing a new dialogue and developing an approach that challenges the boundaries and hierarchies between objects, their origins, categories and typologies.
There are more than 200 works and to give life to "Stories of Sexuality" it was necessary to review the collection of Masp and other Brazilian and international collections, including drawings, paintings, sculptures, films, videos and photographs, as well as documents and publications of the arts pre-Columbian, Asian, African, European and Latin American.
There will be three exhibition spaces: the video room, with an unpublished work by Mauricio Dias & Walter Riedweg, the gallery of the first basement, with the core Policies of the Body and Activism - with works by Jo Spence, General Idea, Pedro Lemebel and Mares del Apocalypse -, and the first floor, which will have the largest number of works, distributed in eight thematic nuclei: Naked Bodies, Totemisms, Religiosity, Gender Performativity, Sex Games, Sex Market, Languages and Voyeurism. In this part of the exhibition will be gathered names like Louise Bourgeois, Vania Toledo, Leonilson, Cildo Meirelles and Cícero Dias, just to name a few.
Creating openness and reflection about sexuality and gender was what motivated the Masp curatorial team, led by Adriano Pedrosa, to elaborate the show. Underscoring the importance of the program, Camila Bechelany, assistant curator of the institution, comments: "Sexuality and gender have always crossed art history. We needed to ask these questions for discussion. The nude is considered a classic style and was one of the first that came about. The naked body has always crossed not only the history of art, but of all mankind. "
picture 2
The first floor, the most controversial address of the show, will start with the Corpos Nus nucleus, which highlights one of the most common objects of study and representation in art history: the naked human body. Female, feminine, masculine, masculine, trans, non-binary, queer, travestis, multiple sizes, beauties and patterns will be exposed. The idea is precisely to provoke reactions of repulsion and abjection, desire and enchantment. There will also be a section dedicated to the representation of the sexual organs and another that intends to highlight the use of language as an equally privileged way of convening art and performativity, with emphasis on semiotics: sign language and symbol communication, with interventions in media of communication and with different ways of expressing gender and sexuality.
In the fourth nucleus, gender issues will be presented as intentional acts, historically and socially constructed, capable of producing and reinforcing meanings. The next moment explores the sexual games and explains stories of sexuality and the existence of collective or intimate practices that cross times, materialities and spaces. The sixth exhibition space will be built from sex markets such as prostitution, pornography, sex shops, saunas and the products and services derived from these practices.
The core Religiosity starts from the idea that religious images are also socially negotiated as objects of sexual courtship: some incite desire and, at the same time, seek to contain and silence any excitement. And finally, artists, curators and the public become voyeurs: they observe acts of other bodies, located both in private and public places in works of Edgar Degas, Pablo Picasso and Alair Gomes, among others.
In the gallery below, Glamurama gives a preview of the works that will be exposed and should not go unnoticed ... Controversy in sight? Just follow the arrow! (By Matheus Evangelista)
images
fonte: @edisonmariotti #edisonmariotti
Cultura não é o que entra pelos olhos e ouvidos,
mas o que modifica o jeito de olhar e ouvir.
A cultura e o amor devem estar juntos.
Vamos compartilhar.
Culture is not what enters the eyes and ears,
but what modifies the way of looking and hearing.
--br
Museu de Arte de São Paulo (Masp) vai inaugurar mostra tão ou mais polêmica que “Queermuseu”, cancelada em Porto Alegre, Brasil.
Os mais tradicionais que saiam da sala. Se as palavras ‘nudez’ e ‘sexo’ te arrepiam, então é melhor não pisar na calçada do Museu de Arte de São Paulo, o Masp, a partir do dia 19 de outubro, quando inaugura a exposição “Histórias da Sexualidade”. A mostra pretende discutir o tema a partir de uma noção ampla de histórias, cujos sentidos – múltiplos e diversos – abrangem relatos coletivos e pessoais, ficcionais e não-ficcionais, ultrapassando formas tradicionalmente fixadas pela história da arte.
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Detalhe da obra ‘Moema”, de Victor Meirelles – 1866 || Créditos: Divulgação
A exposição “Queermuseu”, montada no Santander Cultural de Porto Alegre, acabou sendo cancelada após críticas de movimentos religiosos e do Movimento Brasil Livre (MBL), que julgaram – e criaram uma corrente de críticas – que a exposição fazia apologia à pedofilia e à zoofilia. No Masp, a mostra vai englobar representações sobre sexualidade de diferentes períodos, territórios e suportes, proporcionando um diálogo novo e desenvolvendo uma abordagem que desafia as fronteiras e hierarquias entre os objetos, suas origens, categorias e tipologias.
São mais de 200 obras e para dar vida a “Histórias da Sexualidade” foi preciso remexer no acervo do Masp e de outras coleções brasileiras e internacionais, incluindo desenhos, pinturas, esculturas, filmes, vídeos e fotografias, além de documentos e publicações das artes pré-colombiana, asiática, africana, europeia e latino-americana.
Serão três espaços expositivos: a sala de vídeo, com um trabalho inédito de Mauricio Dias & Walter Riedweg, a galeria do primeiro subsolo, com o núcleo Políticas do Corpo e Ativismos – com trabalhos de Jo Spence, General Idea, Pedro Lemebel e Yeguas del Apocalipsis -, e o primeiro andar, que terá o maior número de obras, distribuídas em oito núcleos temáticos: Corpos Nus, Totemismos, Religiosidade, Performatividade de Gênero, Jogos sexuais, Mercado de Sexo, Linguagens e Voyeurismo. Nessa parte da exposição serão reunidos nomes como Louise Bourgeois, Vania Toledo, Leonilson, Cildo Meirelles e Cícero Dias, só para citar alguns.
Criar abertura e reflexão acerca da sexualidade e sobre gêneros foi o que motivou a equipe curatorial do Masp, liderada por Adriano Pedrosa, a elaborar a mostra. Ressaltando a importância do programa, Camila Bechelany, curadora assistente da instituição, comenta: “Sexualidade e gênero atravessaram a história da arte desde sempre. Precisávamos colocar essas questões em debate. O nu é considerado um estilo clássico e foi um dos primeiros que surgiu. O corpo nu sempre atravessou não só a história da arte, mas de toda a humanidade”.
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“Eu amo te vencer”, Dorothy Iannone – 1969-70 || Créditos: Divulgação
O primeiro andar, endereço mais polêmico da mostra, vai começar pelo núcleo Corpos Nus, que evidencia um dos objetos de estudo e representação mais comuns na história da arte: o corpo humano despido. Estarão expostos corpos femininos, feminilizados, masculinos, masculinizados, trans, não-binários, “queer”, travestis, múltiplos tamanhos, belezas e padrões. A ideia é justamente suscitar reações de repulsa e abjeção, desejo e encantamento. Haverá ainda uma seção dedicada à representação dos órgãos sexuais e outra que pretende destacar o uso da linguagem como uma forma igualmente privilegiada de convencionar a arte e a performatividade, com destaque para a semiótica: língua de sinais e comunicação por símbolos, com intervenções em meios de comunicação e com diferentes maneiras de expressão do gênero e da sexualidade.
No quarto núcleo as questões de gênero serão apresentadas como atos intencionais, histórica e socialmente construídos, capazes de produzir e reforçar sentidos. O momento seguinte explora os jogos sexuais e esmiúça histórias da sexualidade e a existência de práticas coletivas ou intimistas que cruzam tempos, materialidades e espaços. O sexto espaço expositivo será construído a partir de mercados voltados ao sexo, como a prostituição, a pornografia, os sex shops, as saunas e os produtos e serviços derivados destas práticas.
O núcleo Religiosidade parte da ideia de que imagens religiosas são também socialmente negociadas como objetos de cortejo sexual: algumas incitam o desejo e, ao mesmo tempo, procuram conter e silenciar qualquer excitação. E por último, artistas, curadores e público tornam-se voyeurs: observam atos de outros corpos, localizados tanto em locais privados quanto públicos em obras de Edgar Degas, Pablo Picasso e Alair Gomes, entre outros.
Na galeria abaixo, Glamurama entrega um preview da obras que estarão expostas e não devem passar despercebidas… Polêmica à vista? Só seguir a seta! (Por Matheus Evangelista)
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--chines simplificado
圣保罗艺术博物馆（Masp）将在巴西的阿雷格里港取消比“Queermuseu”更有争议的节目。
更传统的离开房间。如果“裸体”和“性”这个词让你颤抖，那么从10月19日开始的“圣保罗故事”开始，最好不要踩在圣保罗艺术博物馆的人行道上。 “该展览旨在从广泛的故事概念中讨论这个主题，其意义多元多样 - 涵盖集体和个人报告，虚构和非小说，超越了传统上由艺术史确定的形式。
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作品“Moema”的作品，由Victor Meirelles创作 - 1866 ||信用：披露
在阿列格里亚港的桑坦德文化局举办的展览“奎马留首”，最终在宗教运动和巴西自由运动（MBL）的批评之后被取消，巴西自由运动（MBL）判断并创造了一连串的批评，该展览为恋童癖道歉和动物疫情在Masp，展览将包括来自不同时期，领土和支持的性行为的陈述，提供新的对话和开发一种挑战对象，其起源，类别和类型之间的边界和层次结构的方法。
有超过200件作品，并为“性的故事”而生活，有必要审查收集的Masp和其他巴西和国际收藏品，包括图画，绘画，雕塑，电影，录像和照片，以及文件和哥伦布前，亚洲，非洲，欧洲和拉丁美洲艺术出版物。
将有三个展览空间：视频室，Mauricio Dias＆Walter Riedweg未出版的作品，第一个地下室的画廊，以及身体和行动主义的核心政策 - Jo Spence，General Idea，Pedro Lemebel的作品和马雷斯德尔启示录 - 和一楼将有最多的作品，分布在八个主题核：赤裸裸的身体，图腾，宗教，性别表现，性游戏，性市场，语言和偷窥主义。在这部分展览中，将会收集诸如路易斯资产阶级，Vania Toledo，Leonilson，Cildo Meirelles和CíceroDias等名称。
创造性和性别的开放性和反思是由Adriano Pedrosa领导的Masp策展团队制定了这个节目的动机。这个计划的重要性，该机构的助理策展人卡米拉·贝克拉尼（Camila Bechelany）评论说：“性与性别一直跨越艺术史，我们需要提出这些问题进行讨论，裸体被认为是经典风格，是第一个那赤裸裸的身体一直都不止于艺术的历史，而是全人类的历史。“
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“我喜欢打败你，”多萝西·伊恩内 - 1969-70 ||信用：披露
第一层是展览中最有争议的地方，将以Corpos Nus核心开始，它突出了艺术史上最常见的研究和代表性对象之一：裸体人体。女性，女性，男性，男性，反式，非二进制，奇怪，猥亵，多种尺寸，美女和图案将被暴露。这个想法正是引发了排斥反应，欲望与魅力的反应。还将有一部分专门用于性器官的代表部分，另一部分旨在强调使用语言作为一种同样特权的方式来召集艺术和表现方式，重点是符号学：手语和符号沟通，以及媒体的介入沟通和不同的表达性别和性别的方式。
在第四个核心中，性别问题将被呈现为历史和社会建构的故意行为，能够产生和加强意义。下一个时刻探讨性游戏，并解释性行为的故事，以及跨越时代，物质和空间的集体或亲密做法的存在。第六个展览空间将由卖淫，色情，性商店，桑拿等性别市场以及这些做法产生的产品和服务构成。
核心宗教起始于宗教图像也被社会性地谈判为对象的性欲求：一些煽动的欲望，同时寻求控制和沉默任何兴奋的想法。最后，艺术家，策展人和公众成为voyeurs：他们观察了私人和公共场所的其他机构的行为，其中包括Edgar Degas，Pablo Picasso和Alair Gomes等作品。
在下面的画廊，Glamurama预览将被曝光的作品，不应该被忽视...争议在视线中？只要按照箭头！ （Matheus Evangelista）
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